“Uncanny” National Museum of Women in the Arts, Washington D.C. February 28–August 10, 2025
EMELIA LEHMANN reviews this show by women and and female-identifying artists dating from the 1930s to present day that centers on “women’s authorship of uncanny narratives…” as they push back on some of Sigmund Freud’s patriarchal attitudes.
Elisa Harkins: Wampum Museum of Contemporary Art, Chicago, February 1, 2025
JOHN THOMURE describes the performance Wampum by Elisa Harking, a Cherokee and Muscogee descendent. He noted her blend of Indigenous musical traditions with pop music of the 1980s and 1990s and the incorporation of a drum circle by The Good Medicine Gang.
“Magical Realism—AI Photography” Perspective Gallery, Chicago, January 30–March 2, 2025
REBECCA MEMOLI examines this exhibition and identifies current limitations and shortcomings of artificial intelligence in the production of works of art.
Owen Fu: “Own Alone” P●P●O●W, New York, January 31–March 8, 2025
PAUL MORENO is fascinated by the subtlety and spare execution of Owen Fu’s paintings.
Robert Longo: “The Acceleration of History” Milwaukee Art Museum October 25, 2024–February 23, 2025
ANDREW HART BENSON responds to the sobering and sometimes chilling content of Robert Longo’s huge charcoal drawings, videos, and sculptures.
Nicolas Bermeo: “Playing in Reality” King’s Leap, NY February 12–March 15, 2025
PAUL MORENO examines Nicolas Bermio’s remix of Mark Rothko’s Untitled, 1953, and finds it interesting but finds his other paintings wanting.
“The Prime Numbers” Five paintings by Bob Hooper February 28–April 5, 2025, 65Grand, Chicago
MICHEL SÉGARD visits one of Chicago’s more out-of-the-way galleries to find an engaging show of pure abstraction by Bob Hooper.
"Imagination in the Age of Reason" and “Picasso and Paper”
SEAN BIERI travels three hours to the Cleveland Museum of Art and back to see, not the big draw “Picasso and Paper” but to see “Imagination in the Age of Reason,” a small show of etchings and engravings from the eighteenth century that makes us think critically about our own time.
Boys of a Feather
Martin Weinstein at Lichtundfire, NYC, Feb 6–March 1, 2025
Christopher Hart Chambers at Crossing Art, NYC, Jan 23–March 11 2025
D. DOMINIC LOMBARDI finds common ground between the works of Martin Weinstein and Christopher Hart Chambers in their appreciation of and focus on nature.
“The Ryleans”: An Art Exhibition or a Course in Twentieth-Century Philosophy?
Twelve Ten Gallery, Chicago, February 15–March 29, 2025
MICHEL SÉGARD examines how the works in this exhibition reflect the philosophy of Gilbert Ryle and how this parallelism expresses the artists’ attitudes toward the present.
Local Neon 2025
Ken Saunders Gallery, Chicago, IL
February 1 through May 5, 2025
MICHEL SÉGARD visits and uncommon show of neon at Ken Saunders Gallery and finds technical expertise and novel uses of this “out of fashion” medium.
“Pushing Boundaries”
Jeanne Bieri, Boisali Biswas, Terry Lee Dill, Nanci LeBret Einstein, David Velez Felix, Jay Knapp, and Meighen Jackson at Janice Charach Gallery, West Bloomfield Township, MI
K.A. LETTS examines this show of seven artists and their effort to expand the creative possibilities of their mediums.
The Art of Jesse Howard and the Radical Humanity of Psychological Witnessing “The Emerging of a Black Diaspora,” Wadsworth Family Gallery, Lewis University, Romeoville, Illinois
DIANE THODOS analyses the work of this not well-known Chicago artist and his dramatic contribution to the truth of the Black experience.
Silver Linings: Celebrating the Spelman Art Collection University of Michigan Museum of Art, Ann Arbor, Michigan
SEAN BIERI surveys this traveling exhibition of selections from the Spelman Art Collection. It is the foremost collection of Black women artists, and it wasn’t until the 1980s that the institution prioritized acquiring works by Black women artists. So, most of the work is quite contemporary and varies “from the vernacular to the conceptual” as Bieri puts it.
Two Views of The Gay World with Caribbean Influence David Antonio Cruz: Come Close, Like Before, Monique Meloche Gallery & Leasho Johnson: Escaping the Tyranny of Meaning Mariane Ibrahim Gallery
MICHEL SÉGARD reviews two concurrent exhibitions that dealt with LGBTQ+ life in different
Latino communities. He notes how the differing subcultures give rise to different aesthetic styles.
Martin O’Brien: Fading Out of Dead Air International Museum of Surgical Science, Chicago
JOHN THOMURE describes this performance piece by Martin O’Brien. Suffering from cystic fibrosis, it is fitting that the performance, put on by Defibrillator Performance Art Gallery’s director Joseph Ravens, was held at the International Museum of Surgical Science. According to Thomure, the piece is philosophical, and about “a personal process of sublimating the difficullty of their experience…into poetic gestures which celebrate vitality and life.”
Visceral Realism: A Review of Leon Golub at Hauser & Wirth “Et In Arcadia Ego,” Hauser & Wirth, 22nd Street, New York.
CHARLES YOUNG looks at Leon Golub’s work with 21st century eyes and emphasizes the objectivity of Golub’s vision, and he asserts that Golub deliberately avoided a particular political stance and claimed objectivity in depicted acts of war.
Jim Chatelain: Correcting Past Mistakes Selected Abstractions, 2001–2024 Oakland University Art Gallery, Rochester, Michigan, September 7–November 24, 2024
SEAN BIERI reviews the recent work by Jim Chatelain a Cass Corridor veteran from the 1970s. In the nearly ¼ century span of this show, Chatelain concentrates on the organic aspects of his subjects.
Álvaro Urbano: TABLEAU VIVANT Sculpture Center, Long Island City, NYC September 19, 2024–March 24, 2025
PAUL MORENO digs on to Alvaro Urbano’s reinstallation and reinterpretation of Scott Burton’s Atrium Furnishment, once housed at the Equitable Center in Manhattan.
Jeff Way Then & Now: 1970–2024 Storage, NYC, September 6–November 2, 2024
PAUL MORENO examines the work of Jeff Way at Storage in NYC’s TriBeCa district and focuses on the Way’s desire to create order and depict the tension created when things change, weather, and age.
Eric Lindsey: “Here and Now”
NEIL GOODMAN reviews a show of Eric Lindsey’s work, a lesser known but important sculptor, at Alma Interiors. The space is unusual in that it does not follow the standard white box gallery format. Lindsey’s work has an often humorous sense of the surreal without being despondent that is compatible with a more residential interior.
“Chryssa & New York” Wrightwood 659, Chicago, May 3–July 27, 2024
REBECCA MEMOLI examined the life and work of Chryssa (Chryssa Vardea-Mavromichali) at the exhibition “Chryssa & New York” at Wrightwood 659 last summer. This artist was a leader in early neon and Pop art in the 1950s through the 1970s.
Nothing that is Not There: Mark Ryan Chariker 1969 Gallery, New York, November 14–December 21, 2024.
CHARLES VENKATESH YOUNG examines the work of Mark Ryan Chariker and how he is influenced by French Rococo painting and by Chinese Song Dynasty landscape painting.
Three Solo Exhibitions in Western Kentucky: Bill Ford Gallery and library gallery, Paducah School of Art and Design, The Mary Ed Meoy Hall Gallery at Murray State University
DOMINICK LOMBARDI reviews three exhibition in Paducah Kentucky that caught his eye whil visiting: one of the abstract paintings of Paul Aho, another of paintings by outsider artist Helen LaFrance, and one of photographs by Fred DiGiovanni.
Georgia O’Keeffe: “My New Yorks” Art Institute of Chicago, June 2–Sept 22, 2024
ANDREW HART BENSON examines O’Keeffe’s “My New Yorks” in the context of her life in New York City and her relationship to Alfred Stieglitz. They note how O’Keeffe’s struggled to achieve a rendering of the urban landscape that was compatible to her love of nature.
“The Ground of things” Ukranian Institute of Modern Art, Chicago July 12–August 30, 2024
ED ROBERSON and MICHEL SÉGARD pair up in reviewing this collaborative show of drawings and poems by Vasyl Savchenko and Aleksander Najda. They examine the interplay between media and the ability to translate thoughts from one to the other.
Everyone Should Be a Stick Figure: An Interview with Jinlu Luo
JOHN THOMURE summarizes his interview with Chicago performance artist Jinlu Luo.
"Brainworms"
CHARLES YOUNG discovers a new(ish) gallery in Chicago’s Edgewater neighborhood that showed the works of Keith Tilford and Pieter Schoolwerth. Their works make use of AI, digital printing, video, and traditional oils and arylics to question our assumptions about what is a “painting.”
“A Modernist Regime: Cuban Mid-Century Design” “Marc Castillo: The Hands of the Collector” “Cuba Dispersa”
SEAN BIERI visits three exhibitions at the Cranbrook Art Museum in Bloomfield Hills, Michigan, that examine modern art and furniture design in the years after the rise of Fidel Castro. They display the early idealistic efforts and the later disenchantment of Cuban artists during that regime.
“In an effort to be held” at the Shepherd, Detroit, August 3, 2024–October 12, 2024
K.A. LETTS reviews the inaugural exhibition at Detroit’s the Shephard, a new exhibition space by the Library Street Collective. Titled “In an effort to be held” and curated by Allison Glenn, this 26-artist exhibition focuses on the relationship between a physical surface and the body of a person or an artwork.
“Our Delicate Armor” Stasias Gallery, Chicago, August 2–31, 2024.
ANNETTE LEPIQUE responds to the “lyrical looseness” of this exhibition of six artists by examining three works in detail and their relationship to our society’s notion of femininity.
Matt Connors: “Positions” Ortuzar Projects, June 21—August 9, 2024
PAUL MORENO examines the subtle and intriguing compositional processes of Matt Connors’s abstract paintings at Ortuzar Projects.
Jeff Ostergren: “High Society” Real Art Ways, Hartford, CT
D. DOMINICK LOMBARDI analyzes the unconventional work of Jeff Ostergren and its connection to and critique of our everyday drug culture. This artist actually uses dozens of our society’s everyday drug in the creation of his pieces by incorporating them into his pigments.
Bill Viola: A Pioneering Video Artist who Sought Transcendence
JOHN THOMURE summarizes the career and contributions of this extraordinary video artist as he examines Viola’s historically based aesthetic motivations.
Sarah Irvin “Unstable Propositions” Tephra ICA at Signature (Reston, VA) July 19–October 12, 2024
EMELIA LEHMANN responds to Sarah Irvin’s art chronicling her daughter’s maturation and how the role of motherhood changed with time.
“Subversive, Skilled, Sublime: Fiber Art by Women” On view at the Renwick Gallery (Smithsonian American Art Museum) May 31, 2024–January 5, 2025
EMELIA LEHMANN gives a comprehensive review of “Subversive, Skilled, Sublime: Fiber Art by Women” at the Renwick Gallery of the Smithsonian American Art Museum. This exhibition surveys the extraordinary variety of fiber art from the last half of the 20th century to the early 21st century.
Gerhardt Liebmann at Mitchell Algus Gallery, NY May 11 – July 27, 2024
PAUL MORENO reviews the exhibition of the work of little-known artist Gerhardt Leibmann (1928–1989). Also known for his drawings of baby dolls and commissions he did for the Saudi royal family; this show primarily focuses on paintings that represent the artist’s unique surreal vision of an intersection of architecture and landscape.
Camille Claudel: Transmuting Emotional Connection
in the Female Mind
Art Institute of Chicago, October 7, 2023– February 19, 2024
DIANE THODOS examines the work of Camille Claudel and her work’s relationship to that of Auguste Rodin. She notes how their stylistic contrasts are supported by the research of Louann Brizendine on the differences in the male and female brain.
Expo Chicago 2024:
Three Writers, Three Views
Navy Pier, April 24–April 27, 2024
This year, the New Art Examiner sent three writers to Expo Chicago. Our writers’ ages spanned more than 60 years. We wanted to see how that would affect their perception of the fair. Indeed, each had a different vision of what the fair was about, but they also shared a couple of conclusions about the fair’s overall content.
Season of the Witch: Isabella Mellado “Te Diré Quién Eres [I will tell you who you are]" at Povos West Town, April 10–May 25, 2024
ANNETTE LEPIQUE analyzes the meaning in Isabella Mellado’s psychologically surreal paintings at Povos West Town, Chicago.
Elizabeth Youngblood, “Syntax” Penny Stamps Gallery, University of Michigan, June 21-August 3
K.A. LETTS describes Elizabeth Youngblood’s unique position in the African American art scene and how Youngblood has maintained a commitment to abstraction and craft.
Phyllis Bramson + David Leggett “Double, Double Toil and Trouble” Engage Projects, March 22– April 27, 2024
CHARLES YOUNG examines the works and intent of these two well-known Chicago artists within our contemporary context.
Earth Tones: Soumya Netrabile’s “mono no aware” At Andrew Rafacz Gallery
CURTIS ANTHONY BOZIF examines the complex content of Soumya Netrabile’s paintings on show at Andrew Rafacz Gallery (Chicago) on view through May 25.
It Must Be Good
PHILLIP BARCIO ponders on what is good art and what is not and discusses the notion of the democratization of art in contrast to an elitist notion of high art.
“AI and the Creator: Is it Art?”
Hatch Art gallery, Hamtramck, Michigan May 2024
SEAN BIERI examines the present state of artificial intelligence in the production of art and its implications on the concept of original art.
“Equipoise” Carol Pylant at Gallery Victor, March 15–May 4, 2024.
MICHEL SÉGARD explores the underlying psychological and surreal content of this highly accomplished realist painter.
Andy Paczos: EXTRA -- ORDINARY At 1960 N Clybourn Ave, April 13–April 27, 2024
ANDREW ART BENSON admires the en plein air painting tradition that Andy Paczos brings to the Chicago urban scene.
Neighbors in Barcelona Two Barcelona Galleries Marie Zolamian: “Sa Mue,” Bombon Projects and Sampler—Guillermo Pfaff, Galeria Carles Taché
D. DOMINICK LOMBARDI visits two galleries in Barcelona, Spain, and encounters the works of a Lebanese surrealist artist, living in Belgium, and a more contemporary Spanish abstract artist whose work is informed by the graffiti he sees in the Gothic Quarter of Barcelona where he lives.
"Night and Day” William Conger at Zolla Lieberman Gallery—March 15–April 20, 2024
REBECCA MEMOLI reviews the new work of this senior member of Chicago’s Allusive Abstraction movement and remarks on his mastery of color.
Andrés Bedoya: "One of My Fingers is a Snake” at SITUATIONS, March 1–April 14, 2024
PAUL MORENO examines Bedoya’s use of the Catholic ex-voto tradition to explore the reverence and sacredness of everyday objects.
Frank Stella: Always a Man of his Time May 12, 1936–May 4, 2024
MICHEL SÉGARD chronicles the 66-year career of Frank Stella, from his leadership in the early minimalist movement in the late 1950s to the creation of sculptures using digital 3D modeling and 3D printing in the 21st century.
The Razors Edge A memorial to Richard Serra: (1938-2024)
NEIL GOODMAN recounts Richard Serra’s fame as one of the leading minimalist sculptors and how he responded to Serra’s work.
Derek Guthrie (1936-2023): A Consideration
JANET KOPLOS gives an unvarnished account of the life of Derek Guthrie, the co-founder along with Jane Addams Allen of the New Art Examiner. She recounts his role in the magazine and how his eccentricities affected the course of the publication.
Fire and Ice: Remembering Richard Hunt
NEIL GOODMAN chronicles the career of Richard Hunt, and details why he is considered one of Chicago’s and this country’s greatest sculptors.
Pope.L (1955–2023): Innovative Performance Artist and Master of Satirical Absurdity
JOHN THOMURE recounts his working relationship with Pope.L, while detailing what made him such a noteworthy performance artist.
“Ruth Duckworth: Life as a Unity”
MICHEL SÉGARD examines how Duckworth relates to earlier twentieth century abstract sculptors and how she incorporates the “mother earth” world view into her work.
Remedios Varo: a Surreal Room of One’s Own
DIANE THODOS examines the work of Remedios Varo, the Spanish born surrealist artist, and relates how her imagery is influenced by her tempestuous life and how her work ideologically contrasts with present day art.
Art Basel Miami Beach, 2023:
Miami Beach Convention Center, December 8-10
SEAN ROBERTS reviews the Maimi Basal Art Fair and writes about a half dozen pieces that he thought were worthy of attention.
Hygienic Dress League
“Cross Pollination"
K.A. LETTS examines the complex output of multimedia artists Dorota and Steve Coy (aka Hygienic Dress League Corporation). Their exhibition titled “Cross Pollination” at River House Arts in Toledo, Ohio is at sampling of several HDLC’s recent installations.
Brian Buczak
“Man Looks at the World”
PAUL MORENO reviews this first solo exhibition of the works of Brian Buczak since a posthumous show in 1989. (Buczak died from AIDS related complications in 1987.) The exhibition was mounted by Ortuzar Projects and Gordon Robichaux galleries, NYC.
Chloe Siebert: "Psychoangels"
ANDREW HART BENSON studies the possible meanings behind Chloe Siebert’s exhibition “Psychoangels” and is fascinated by the dystopian cat army that populates the show. It is the second time Siebert has had a one person show at Mickey gallery, Chicago.
"Pollards” Natalie Wadlington at Library Street Collective
MARISSA JEZAK examines the work of Natalie Wadlington in her exhibition “Pollards” and how the work “leaves the viewer in an ambient state of contemplation.” At the Library Street Collective, Detroit, MI, January 20, 2024–February 21, 2024
Across Generations: The Art of RISD Graduates
D. DOMINICK LOMBARDI visits two Rhode Island exhibitions: “I Will Not Bend an Inch,” featuring the works of Nancy Elizabeth Prophet (1890–1960), and “Coloured.Aesthetica,” an exhibition of current work by Triton Mobley (b. 1979) at the Chazan Gallery at Wheeler nearby. He notes how the two exhibitions demonstrate how little has changed in the lives of African Americans through the 20th century.
A Thousand Moons: An Interview with Fern Shaffer
CORY POSTIGLIONE interviews Fern Shaffer about two major projects she has realized, one, Nine-Year Ritual of Healing, that was on view at the Barbican Centre in London as part of “Re/Sisters: A Lens on Gender and Ecology,” the other, A 1000 Moons, recently completed by not yet shown in its entirety.
Sanford Biggers: “Back to the Stars”
REBECCA MEMOLI examines the results of Sanford Biggers’s use of antique quilts to create new works and how that helps preserve their history.
“Women on the Verge”
Rhona Hoffman Gallery, October 27–December 15, 2023
ANNETTE LEPIQUE examines the curatorial theses of this large feminist exhibition and how it relates to present-day thinking on the topic.
Past and Present: Looking Out—Looking In Martin Puryear at Storm King Art Center
Sculptor NEIL GOODMAN looks at the recent addition to the Storm King Art Center by Martin Puryear and how it differs from the other outdoor sculptures in the collection.
Hear Me Now: The Black Potters of Old Edgefield, South Carolina University of Michigan Museum of Art
K.A. LETTS recounts the history of antebellum pottery making in Old Edgefield, South Carolina. In this exhibition, their work is compared with pieces by contemporary Black potters.
Ilana Harris-Babou: “Needy Machines” CANDICE MADEY, New York, November 3–December 16, 2023
PAUL MORENO visits this exhibition that presents video and sculptural works exploring emotional and psychological effects of marketing in today’s culture.
Louis Fratino: “In bed and abroad” at Sikkema Jenkins & Co.
Roberto Gil de Montes: “Reverence in Blue” at kurimanzutto, New York.
PAUL MORENO recounts how he perceived these two shows after seeing a Pina Bausch version of the ballet Rite of Spring and how this experience challenged his perception of the brown queer body.
A Vessel and a Shore: Vera Klement, 1929-2023
Upon her passing at age 93 on October 20, 2023, BUZZ SPECTOR, a long-time colleague, chronicles Vera Klement’s life and career.
Joel Carreiro: A Tour of Possible Worlds
DOMINICK LOMBARDI reviews Joel Carreiro’s collaged transformation of Renaissance and 20th century art into works that resemble crazy quilts, but redefine the way we look at historical masters.
Athi-Patra Ruga…looking for The One
ANDREW HART BENSON examines the cultural and social truths depicted in the paintings of South African artist Athi-Patra Ruga.
"Crosscurrents” and “Signs All Kinds”
REBECCA MEMOLI compares the abstract painting of Scott Wolniak with the text installation of Carris Adams and discusses what they have in common.
Handstitched Worlds: The Cartography of Quilts
EMELIA LEHMAN discusses the historical and art historical significance of these works of art along
with the evolution of the medium.
Dan Ramirez: Vertical Thoughts
MICHEL SÉGARD reviews works by Dan Ramirez whose abstract works explore the poetic depths of the human mind and spirit.
“Free Your Mind: Art and Incarceration in Michigan”
MARISSA JEZAK examines the art made by individuals currently or previously incarcerated in Michigan prisons.
Mickey Gallery: Five Years of Experimentation
MICHEL SÉGARD reviews this gallery's summer show that featured works exhibited in the past five years.
“Hide and Seek” New Work by Jeanne Bieri at Detroit Contemporary
K.A. LETTS on Jeanne Bieri and how the work recalls and pays homage to past armed conflicts.
“Dear Louise: A Tribute to Louise Fishman”
PAUL MORENO reviews this posthumous exhibition of the late Louise Fishman's work and its ties to Abstract Expressionism.
No Words Spoken: The Ordinary in the Works of Kyungwoo Chun
LEANDRÉ S’SOUZA chronicles the recent work of Kyungwoo Chun in Goa and Mumbai and how he enroils communities into participation in his projects.
Worth a Thousand Words — Graphic Biographies of Artists’ Lives
SEAN BIERI give us a overview of biographies of well known artists done in the form of graphic novels.
Richard Haines: Paradise Lost
PAUL MORENOexamines the work of this artist's images of men in various life activities—a flâneur’s observations.
“There Are Many Ways to Hold Water Without Being Called a Vase”
MICHEL SÉGARD ponders the work of Antonius-Tín Bui, Chinese paper cutting pieces of exceptional technical skill and deep social content.
"Then Is Now: Contemporary Black Art in America"
D. DOMINICK LOMBARDI reviews the Bruce Museum's exhibition of significant Black art from the mid 20th century to the present.
"Gordon Parks, The Early Years: 1942 - 1963"
TOM MULLANEY analyzes this famous photographer's early works of street photography with an emphasis on children.
"Degenerate! Hitler's War on Modern Art"
DIANE THODOS account of Hitler’s DEGENERATE! art exhibition on the lives of early 20th century European artists.
Creative Emergence From the Pandemic
ANNETTE LEPQUE reviews this dual exhibition
at SoNa Gallery of works created during and after the pandemic lockdown.
Wiley, Kitsch, and Politics
MICHEL SEGARD rebuts criticism that Kehinde Wiley is hocking kitsch.
Alieś Puškin 1965 - 2023
K. A. LETTS pays tribute to the life and memory of this Belarusian artist, activist, and political prisoner who died while incarcerated.
SPRING 2023
Where I Find Ourselves
PAUL MORENO examines three important exhibitions that illustrate the history and state of the LGBTQ+ community.
Apocalypse Sky
DOMINIK LOMBARDI looks at this historical exhibition of AIDS activism art in NYC during the 1980's.
Take My Picture
REBECCA MEMOLI reviews Partic McCoy's photography depicting the black gay scene in 1980's Chicago.
Tongue & Nails
ANNETTE LEPIQUE ponders this exhibition that examines the relationship between the body and the definition of one's self.
EXPO Chicago 2023
MICHEL SÉGARD and EVAN CARTER, each give their take on this year's fair.
40 ChatGPT AI-Generated Questions for CHICAGO EXPO:
In Collaboration with SCR2W
Miami Basel 2022
DIANE THODOS analyses the economics and social politics of art fairs.
On the Road: an Interview with Ted Stanuga
NEIL GOODMAN interviews Ted Stanuga, and discusses his legacy as an Abstractionist in an Imagist town.
Jason Revok: Now You See Him, Now You Don't
K.A. LETTS looks at this artists move from graffiti artist to gallery artist in his new show at MOCAD.
David Hockney: "The Arrival of Spring"
EVAN CARTER reviews "The Arrival of Spring" at the Art Institute of Chicago, featuring Hockney's latest work using an iPad
Scott Hocking at Cranbrook Art Museum
K.A. LETTS reviews the work of this seminal Detroit sculpture and installation artist.
Gabriel Orozco: "Spacetime"
PAUL MORENO reviews this novel but well-hidden show at Marian Goodman Gallery.
"Envision: The Michigan Artist Initiative 2023"
K.A. LETTS examines the work of the three finalists in this competition.
Lonnie Holley: Inside and Outside
SEAN ROBERTS looks at Lonnie Holley's art and music that was featured at Knoxville’s Big Ears festival on March 30, 2023.
"House Set Sun"
MARISSA JEZAK reviews work by Anne Speier and Lucie Stahl at What Pipeline, Detroit
The Alchemists: A Transformative Exhibition of Black art
DESTINY GRAY reviews this Atlanta show of 28 Black artists.